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The subject of the article is involved with season 1

Opening Quote: "She looked in the window, and then peeped through the keyhole; seeing nobody in the house, she lifted the latch." – Goldilocks and the Three Bears


Scene: Gilda Darner and Rocky Babb run toward the Rabe property.

[Rocky breaks the door's window panel and breaks in with Gilda. They walk around looking as if to make sure there is no one home, when Gilda walks into the kitchen and turns the light on.]


Gilda: Oh! [she walks around the kitchen counter] Nirvana. [She opens the fridge and sighs] Why weren't we born rich?
Rocky: 'cause our parents didn't have money. [he grabs a bottle of wine]


Scene: Gilda and Rocky change into different clothes and eat a lot of food in the living room by the fireplace while drinking wine.

Rocky: [with a mocking voice] Shall we go on our yatch, darling?
Gilda: [with a similar mocking voice] which one?
[They sip their wine, and Gilda throws her glass into the fire, shattering the glass as they both giggle while running up the stairs]
Rocky: [trips on the stairs] Slow down!
Gilda: [looks back at Rocky while she keeps running] Oh, you wish!


Scene: Rocky makes it to the room and is looking for Gilda.

Rocky: [in a sing-song voice] Gilda? Where do you think...[voice fades as he looks around the room] ...you're going?
[Rocky stops short as he sees the totums in the room. Gilda appears next to him as she scares him with a shout, and the both fall on top of the bed laughing. They start to kiss but Gilda pushes him aside with a laugh]
Gilda: Catch me if you can [she laughs].
Rocky: Oh, I can.


Scene: In another bedroom, Rocky walks in as he takes off his jacket.

Rocky: Gilda, come on. [he lays on the bed a little out of breath]
[Gilda stands in a corner as Rocky looks up. She is wearing a big fur coat and a hat. She starts to take it off and reveals she's only wearing her underwear. She drops the coat and throws herself at Rocky. They start to makeout.]


Scene: A car approches the Rabe property with a deer on its hood. It stops in front of the house making the breaks hiss.

Scene: Gilda stops and hears the breaks coming from outside.

Gilda: What was that?
Rocky: What?
Gilda: I think I heard a car.
Rocky: No, you didn't. [He tries to reasume their business]
Gilda: [she giggles] Rocky, stop. Go look out the window.
Rocky: Now?
Gilda: Yeah, go. [she hands him a shirt]


Scene: Rocky looks out the window and sees the parked car with the engine still running. He runs back to the room.

Rocky: Somebody's here, you're right. Come on, let's go.
[They dress with hurry. Rocky starts to walk away]
Gilda: [stops him] No, no, no the door. The window. Come on.
[Gilda is the first one to go down with Rocky's help.]
Rocky: [whispers] you got it?
Gilda: [whispers] yeah. [she falls down] Ohh!
Rocky: You okay?
Gilda: Yeah, I'm fine. [she stands, dusting herself off] come on. Let's go. Hurry up.
[Rokcy tries to make a move but he is pulled back by something. Gilda looks annoyed]
Gilda: Rocky, what are you doing?
[The shadow of the room shows something attacking Rocky as he shouts and the other thing roars. There is some more trashing before Gilda, scared, decides to run away. As she does, something starts to follow her.]


Scene: Gilda runs through the woods until she slams against Rocky's truck

Gilda: Come on! [the car starts and she drives away]


Scene: A Doctor walks into a room where Nick is.

Doctor: [reading the medical report] Are you still dizzy?
Nick: I'm alright.
Doctor: Well, your liver enzymes are elevated, and we found traces of a neurotoxin in your blood: PHTX3, which is usually associated with a spider bite. [he closes the report] Lucky you didn't get more of it, or it would've paralyzed your lungs. [Nick looks at the Doctor] Well, if you feel lightheaded or feverish, come on back.
Nick: [pauses] all right. [he looks worried].


Scene: Nick and Hank are walking down the Hospital's corridor.

Hank: They find anything wrong with you?
Nick: Just a few toxins in the blood.
Hank: Just a few toxins? Like the kind that can kill you?
Nick: Well, apparently not.
Hank: You gonna be okay?
Nick: [turns to Hank] How do I look?
Hank: Like a cop who's been working all night.
Nick: Aw, that's funny, Hank. That's how you look.
Hank: Well, then you look good.
[they stop by aunt Marie's room. Nick walks foward]
Nick: Marie [he is stopped by Dr. Rose]
Dr. Rose: She's not stable. We can't allow anyone in the I.C.U. yet.
Nick: Well, when can I talk to her?
Dr. Rose: After we're donw running the tests. [she pauses] We can't risk letting her slip back into a coma. I'll call you the minute we know something. [she closes de sliding door]
[Nick looks through the door while Hank and Sean Renard are behind him]
Renard: I.D. anyone who wants access to the room [he stands by Nick] How is she?
Nick: Well, she came out of the coma, but they're still running tests.
Renard: So when did the attack happen?
Nick: About ten minutes after I got here. She came up behind me. She had a syringe in her hand.
Renard: How do you know she wasn't a nurse?
Nick: Well, she stuck a needle into me, and she ran away.
Renard: Well, you think you can identify her?
Nick: Yeah, she should be on the security tapes.
Hank: I grabbed them when I got here. They're on their way to the precinct.
Renard: Let's take a look at those tapes. If we got another killer on our hands, we better get on this.


Scene: At the Police Precinct, Sean Renard, Hank, and Nick watch the security tapes.

Renard: When's the last time you saw your aunt before this?
Nick: Not for a couple of years. I don't know what she's been up to.
[The tape shows the blonde woman come into the room]
Nick: That's her! [he stops the video and points her out]
Hank: Was she alone?
Nick: She's the only one I saw.
Renard: It'll be difficult to make an I.D. from the back. [looks back at Hank] Is this all you got?
Hank: Yeah.
Renard: Let me know if you get something we can work with. [he leaves]
Hank: Dude, what'd your aunt do to piss off so many people? She work for the government or something?
[A police officer comes toward them]
Police Officer: I had a D.U.I. out on highway 2 about an hour ago. Driver's got some crazy story about her boyfriend being attacked. Name's Gilda Darner. [he leaves]
[Nick and Hank slide back on their chairs to see Gilda]
Hank: What do you think?
Nick: Ah, grown up way too fast. Single parent, if she has any. Takes way too many chances, and looks for excitement in all the wrong places.
Hank: Sounds like me [he stands].
Nick: Yeah. Look how you turned out.
[They walk toward her]
Nick: Gilda Darner? [she looks up]


Scene: Aerial shot of the woods where the Rabe property is located.

[The house is show and there is a police car parked outside]
Gilda: This is the house. [inside Hank's car] This is where it happened.
Hank: Somebody got here before us. [He parks]
Nick: Stay in the car.
[They get out of the car, and walk toward Sergeant Wu and another officer]
Wu: What are you doing here? I haven't called it in yet.
Nick: Well, what do you got?
Wu: Breaking and entering. [he reads from his notepad] Mr. and Mrs. Rabe got back from Seattle a couple of hours ago, found their house broken into. Somebody raided the fridge, hit the liquor cabinet, tried on some clothes, and test-drove a couple of beds.
Hank: Any sign of violence?
Wu: No. No blood. No body parts. Only stains we've come up with are wine and whoopee. Who's her missing boy toy?
Nick: Says his name's Rocky.
Hank: We're still trying to figure out how much of her story is true.
[Wu shows the broken glass]
Nick: Well, she's copping to the B and E, so some of it is.
Hank: Where are the owners?
Wu: Upstairs.


Scene: Diane Rabe and Frank Rabe are in their bedroom recounting what they think happened while they were gone.

Mrs. Rabe: Somebody was sleeping in our bed.
Mr. Rabe: Sleep had nothing to do with what they were doing in our bed.
Hank: You have an alarm system?
Mr. Rabe: Well, we've been a little lax in using it lately.
Mrs. Rabe: We're pretty remote out here. [Nick walks closer to a window and sees claw marks] I mean, we've never had a problem before.
Wu: [comes behind Nick] You should see the living room.


Scene: Nick examines the coffee table with his pen as he moves a wine bottle.

Nick: Nothing was stolen?
Mr. Rabe: Don't know yet. Nothing obvious.
Hank: You have quite a collection. [He's looking at an aterfact] Is that a Fijian war club?
Mrs, Rabe: Yes, actually, it is. And a New Guinea tribal fork. This is some valuable stuff.
Mr. Rabe: You know your aboriginal art.
Hank: I've never seen one like that before.
Mrs. Rabe: It's Germanic. Uh, very rare. From about 900 A.D. We belong to organizations that protect native land from development.
[Nick looks back at them] There's a lot of rich cultural heritage disappearing, and we're trying to protect what's left. Both locally and globally--
Mr. Rabe: Honey, I think you're getting a little irrelevant.
Mrs. Rabe: Well, you have to respect your ancestors. Right, Detective?
Hank: I had to respect mine, otherwise I couldn't sit down for a week.
Nick: [looks at the artifact] Anyone else have access to the house when you were away?
Mr. Rabe: Just our cleaning people. And our son Barry, who's staying with friends. And our neighbors, the Colberts, who check on our house from time to time when we're out of town.


Scene: Hank and Nick leave the Rabe residency.

Nick: Fijian war club?
Hank: Second wife was an anthropologist.
Nick: [Gilda looks at them as they get closer to the car] So there were two people in that house. So where's Gilda's boyfriend?
Hank: My guess, Rocky's home right now, sleeping it off.


Scene: In a cave, with a lit fire, Rocky's alive with his hands tied and blindfolded. Something gets closer to him and he tries to back away as it starts to sniff at him. He screams.

Scene: Police Precinct, Hank, Nick, and Gilda are in an interrogation room.

Hank: [closes the door] So you do this for kicks. Break into homes, party hardy.
Gilda: We were just having fun.
Hank: Illegal fun.
Nick: Gilda, you said after you dropped out of the window, you heard Rocky scream. You started running away from the house, and something chased you.
Gilda: [voice breaks] yes. It's my fault. I should've gone back for him. But...I just left him there. I left him there. [starts to cry] Please. Please, you've gotta do something.
[Wu knock on the door signaling for Hank to come. Nick hands Gilda a hankerchief]
Nick: Gilda, do you have any idea who was chasing you? A man? A dog? Some kind of animal?
Gilda: I-I don't know. I don't know. I couldn't really get a good look at it. I was so scared, I just wanted to get out of there. [she tries to not cry again] I know that something terrible has happened to him. [she cries]



Scene: Nick goes down the steps as Wu and Hank wait for him.

Hank: They went to Rocky's house. Rocky wasn't there.
Wu: Talked to his dad. Truck driver, just got back the night before last. Hasn't seen Rocky.
Nick: What about his mother?
Wu: Died when he was a kid.
Hank: Did he have a cell phone?
Wu: Used to. Dad said they had to cut back on expenses, so...
Hank: Did he have any idea where his son might be?
Wu: He said if you find his pickup, that's where he'll be.
Nick: Well, his truck's already been impounded. Gilda was driving it last night.
Wu: That's all I got. [He leaves]
Hank: What if their little party got out hand, Rocky got hurt? Maybe he fell down the stairs. Maybe Gilda pushed him, broken his neck, Gilda got scared, dumped his body in the river or into the woods. Now she's trying to make it look like she's innocent.
Nick: I don't think she's trying to cover anything up. It seems to me she's pushing us to find him. I think we have to take another look at that house they broke into.
[Nick's cell phone starts to ring].
Nick: Hello?


Scene: Aunt Marie is calling from her bed at the Hospital.

Aunt Marie: I need to see you. Now.


Scene: Dr. Rose and Nick walk together toward aunt Marie's room.

Dr. Rose: She's very weak, but I realize you may not have much time. I'll be right outside.
Nick: [gets closer to aunt Marie and kneels by her as he holds her hand] I was afraid I lost you.
Aunt Marie: Not yet.
Nick: You're all I have left. I don't want this to happen.
Aunt Marie: I know. But you'll be alright.
Nick: Yeah, I don't feel like I'm gonna be all right. I'm still trying to make sense of everything. Look, if you hadn't been here, I would've lost my mind. [he pauses] I'm not sure I haven't.
Aunt Marie: Don't doubt yourself.
Nick: I've seen so much.
Aunt Marie: And you'll see more. You have a responsibility that you cannot ignore.
Nick: I couldn't ignore it if I tried.
Aunt Marie: You have to hunt down the bad one, just like your ancestors did. There's a reason that you're a cop. You have an ability, and you must use it, no matter what happens to me. [she winces in pain]
Nick: I'll get a Doctor.
Aunt Marie: No [she holds him back] The reapers followed me here. That means there could be more.
Nick: How many are there?
Aunt Maire: Nobody knows. They're a secret organization dedicated to killing us.
Nick: You mean grimms? There are more like us?
Aunt Marie: Yes, but I don't have contact with them.
Nick: What about the things I've been seeing? How many more of those are there?
Aunt Marie: There are more in the books that I've ever seen. You must not let the trailer be found. They don't know it exists. [losing some breath] I hope I haven't done more harm than good by coming to you.
[The heart monitor starts beeping erractically]
Dr. Rose: Let her rest. You can come back later.


Scene: Hospital's parking lot, Hank is waiting for Nick by the car.

Hank: How is she?
Nick: Well, she's dying of cancer. She's had two attempts made at her life. Other than that, she's doing alright.
[They get in the car]
Hank: She's one tough lady.
Nick: I had no idea. [he pauses] so you got anything on the Rabes?
Hank: Yeah. Their house sits on about 200 acres, backs up onto the National Forest. 500 squares miles of trees behind them. Lots of places for Rocky to get lost.


Scene: Hank's car approaches the Rabe's property.

Hank: These woods are too big for the two of us. Let's get some people out here.
[They drive further up the road. Three guys come across them with their dirt bikes]
Nick: Whoa, whoa, whoa, whoa, whoa. Look out.
[The guys turn around and direct themselves toward the house while Hank follows behind at a lower speed. They arrive at the house. Nick gets out of the car]
Nick: Hey. Nice riding.
Barry Rabe: Oh, I hope we didn't scare you.
Hank: Oh, no, you guys are lucky you didn't get thumped.
Jason Colbert: Look, we knew what we were doing.
Nick: That's a good thing, 'cause I hate cleaning blood off my car.
Barry: You guys, uh, here for my parents?
Nick: Detectives Burkhardt and Griffin.
Hank: You're Barry Rabe. You live here, right? [Barry kind of nods his response. Hank shows pictures of Rocky and Gilda] Have you guys ever seen either of 'em? Oh no, take you're time. Make sure you don't know them from school or anything.
Jason: Look, we've never seen them before.
[Mrs. Rabe opens the front door]
Mrs. Rabe: Boys, dinner's ready. Wash up. [she walks up to them] What are you doing back here? Did you find out who broke into our house?
Nick: Yeah, I think so.
Mrs. Rabe: Frank, you should come out here.
Hank: Ma'am could you take a look at these? [he hands her the pictures]
Nick: Now, the girl's already in custody, but we haven't seen the guy yet. Have you ever seen either of these guys?
[Mrs. Rabe hands Mr. Rabe the same photos]
Mr. Rabe: No.
Mrs. Rabe: Yeah, me either.
Nick: Hey, Barry, you didn't happen to come home last night, did you?
Mrs. Rabe: He was staying at Jason and T.B.'s house while we were gone.
Hank: Sorry, Mrs. Rabe, we have to ask, just in case he saw the boy leave.
Barry: No, I didn't get home till this morning. After my parents got back. [he woges into a bear-looking creature. Nick gulps and Mr. Rabe notices the reaction] No, I-I didn't see 'em.
Hank: How far away do you guys live?
Mr. Rabe: What is this?
Nick: Look, we're just trying to figure out where everybody was last night.
Hank: We know they broke into your house, but no one's seen the boy since last night.
Nick: The girl said she heard a scream inside the house after she left.
Mrs. Rabe: And you believe someone who broke into our house, drank our wine, ate our food and took advantage of our bedroom? I think you'd be better off looking under a few rocks. Wish you'd remember that we're the victims here. [she turns away] boys, let's go in the house.
Mr. Rabe: [turns to face Nick] If you want to talk to me, you can call me tomorrow at my law firm. Hank: Man, we really hit a nerve.
[They leave and Mr. Rabe looks at them walk away from a window by the door]
Nick: Let's run some phone records, pin down where everyone was last night. [Nick stares at the Totem with a bear looking face]


Scene: Sean Renard is in his car waiting for the blonde woman who is walking toward him.

Renard: She came out of the coma, and I've had to put guards on her.
Blonde Woman: What do you want me to do?
Renard: We can't allow her to tell him anything more. We need him with us.
Blonde Woman: Then how do I get to her?
Renard: Well, you don't. But you get somebody who can.
Blonde Woman: With guards on her?
Renard: Don't worry about that. Just find the right people--and I do mean people. We can't afford someone getting excited and blowing the whole thing.
[Behind them, a vandal hits a wall with a metal bar]
Vandal: Don't you know? this is a bad neighborhood? How much is it worth for you not to get hurt?
Blonde Woman: Don't worry. I'll take care of this. [She walks toward the vandal and morphes into a mummified version of herself. Sean closes his window as he sees the woman attack the vandal]


Scene: Nick is at his house browsing about the bear totems when Juliette Silverton comes home.

Juliette: Nick?
Nick: Yeah, in here.
Juliette: I picked up Chinese from Lotus, and got Voodoo doughnuts.
Nick: Ah, you're the best.
Juliette: Don't be such a cop. [she closes the box] The doughnuts are for dessert. [she walks around to see what Nick is looking at] Are we buying a Totem pole?
Nick: No, I saw one outside a house of a case I'm working on.
Juliette: [reading from the laptop] Some kind of clan of the Bear. 'The Bear is a messenger to the supernatural world. His position of dominance in the totemic hierarchy is the result of a common ancestral belief in the sanctity of their territory'. [Nick starts kissing her cheek] hmm. Is the Totem pole some kind of clue?
Nick: I don't know, but you make it sound kind of sexy. [They kiss]
Juliette: It's just the word pole.
Nick: Mm. [She walks back to the bags of takeout food]
Juliette: I stopped by to see Marie today. It scared me, seeing all the police in the Hospital. I don't know why anybody would want to hurt her. She can't even die in peace. How are you doing with all that?
Nick: Well, I'm not doing too good about it, but...you know there's nothing I can do, so I'm putting on my happy face.
Juliette: I'm not buying that grin. Put it back. [She closes the laptop and sits on Nick's lap. They kiss]


Scene: In the Woods, Jason Colbert, Barry Rabe, and T.B. Colbert walk with torches while Barry carries something that resembles a person.

[They stop and look down at the ground]
Jason: Okay. Do it.
[Barry throws what he had been carrying and it looks like he just killed Rocky]
Barry: That'll work.
[He had throw a sack dressed as a person down a whole with wooden stakes poking out]


Scene: By Nick and Juliette's home, Nick is in the trailer, drawing the bear Totem he had seen earlier. The door suddenly opens, and aunt Marie steps in.

Nick: Aunt Marie. What are you doing here?
Aunt Marie: Remember what I told you.
Nick: [confused] okay.
Aunt Marie: [looks at the drawing] There'll be more red...[she walks toward a cabinet full with weapons] When the sun goes down. [She grabs a knife and walks toward Nick. Suddenly, she stabs him in the hand]
[Nick wakes up with a gasp. Juliette appears from the bathroom]
Juliette: You okay?
Nick: [panting] yeah. Yeah, just, uh...a bad dream. I hope.
Juliette: What was it?
Nick: [pauses] My aunt just stabbed me in the hand.
Juliette: What did you do to her? [she grabs his hand and looks at it] Nope, just a dream. But I don't even know where to begin interpreting that one. I was trying to let you sleep. Lot of good that did. [They kiss and she leaves the bed]
Nick: Hey, hey. Where are you going so early?
Juliette: I'm operating on a Bulldog at 7:00. I'll call you later. [She leaves]


Scene: Nick enters the trailer and looks around it as he makes way to the same cabinet from the dream. He notices that the same artifact from the Rabe house inside. It's like a bear paw. It flashes back to the Rabe house as he remembers what aunt Marie told him.

Aunt Marie: You have to hunt down the bad ones. [it flashes to the time Barry morphed into a bear-looking creature]


Scene: Monroe is doing pilates at his home. When there's a knock on his door. He looks at the time and proceeds to ignore it. Someone knocks again.

[He goes to open the door and Nick's standing outside]
Nick: We need to talk.
Monroe: Not at 6:30 in the morning, we don't. [He tries to close the door but Nick stops him]
Nick: [walks in] This is important.
Monroe: [as he closes the door] Oh, well, come on in, then. Have a cup of coffee. [looks at Nick] Bagel? Cream cheese?
Nick: First, I want to thank you for helping me out with the kidnapping.
Monroe: A gift basket would've been nice. How long is this going to take? I'm in the middle of my pilates, man.
Nick: [walks closer to Monroe and hands him a paper bag] You ever seen one of these?
Monroe: [grabs it and looks amazed when he takes out the bear paw] Not up close, thank God. [He sniffs it] I think Jagerbars use this for disemboweling. Now I'm hungry. [he gives Nick the artifact back] Sure you don't want a bagel? I'm gonna French press some coffee too. Guatemalan highlands. Craft roasted. Very robust. [they walk into the kitchen]
Nick: What do you know about Jagerbars?
Monroe: What am I, your personal Grimmopedia?
Nick: No, you're a Blutbad, and I'm assuming that Blutbaden know about Jagerbaden?
Monroe: It's just Jagerbars.
Nick: Well, you see them like I see them, right?
Monroe: Yes.
Nick: Hey, I'm just trying to figure out what I'm up against here.
Monroe: Right there--don't even compare the two. We don't rummage like they do. [walking around the kitchen] How'd you run across a Jagerbar anyway?
Nick: Look, I'm working on a case. I saw a kid turn into one.
Monroe: [as he prepares coffee] That where you got the claw?
Nick: No, my aunt had it.
Monroe: Oh, right. Her again. Aunt Marie, right? Yeah, I couldn't sleep the last two nights thinking ol' aunt Marie was gonna cut off my head, stick it on lamp post. [ He opens the fridge] That's how my great grandma ended up, you know.
Nick: [a bit defensive] Hey, she's still in the Hospital.
Monroe: Oh. Sorry. Um... they use those claws in the Roh-Hatz.
Nick: Roh-Hatz?
Monroe: It's like a Bar Mitzvah for bears. You know, a Jagerbar Mitzvah. It's a very physical thing. A lot of pouding of chests, and, like, wailing. Who wails anymore? Supposed to connect with the primitive beast in all of us. [he hands Nick a cup of coffee] and believe me, I do mean all of us.
Nick: So what do they do?
Monroe: It's all about the chase.
Nick: What chase?
Monroe: The Roh-Hatz, you know? Caveman mumbo-jumbo. 'Let's get some beers and barbeque and be stupid'. I mean, I like to camp as much as the next guy. You know maybe, maybe once a year. [Looks at Nick as he makes bagels] want plain or onion?
Nick: [walking out with a hurry as he set the cup down] I gotta go.
Monroe: Oh, well. Thanks for stopping by.


Scene: Nick is at the Hospital in aunt Marie's room as he draw a picture of a Jagerbar.

Aunt Marie: What are you drawing? [Nick shows her. She takes her oxygen mask off] Jagerbar. You saw one?
Nick: Well, there was a family, but the boy's the only one I saw.
Aunt Marie: How old?
Nick: 18.
Aunt Marie: That could be a problem if they're traditional. Anyone die?
Nick: I don't know. I've got a missing person. Do you know what the Roh-Hatz is?
Aunt Marie: You're learning. That's good. It's a rite of passage from boy to man. They do it at sunset. It isn't pretty. The red of the sun and the blood of their hands.


Scene: Police precinct, Nick walks to Hank.

Hank: Just got the phone records. Several calls were made between 9:00 and midnight. We triangulated a call made from Barry Rabe's cell phone that puts him at his house at 11:30 that night.
Nick: When Gilda was there with Rocky.
Hank: Yeah, so Barry's lying, and lawyer dad is running interference.
Nick: Oh, a lawyer doing a bad thing? Never heard of that before.
[Sean Renard approaches them]
Renard: Hey, Nick. Can I talk to you a minute?
Nick: [turns around as he sets down a folder] Yes, sir?
Renard: Listen, I had to pull the guys guarding your aunt at the hospital.
Nick: What?
Renard: With no hard evidence of a second attack, I couldn't justify the expense to the chief without it looking like we're giving preferential treatment to police families. [Nick looks conflicted] I'm sorry, but my hands are tied.


Scene: Monroe works on a clock when his phone starts ringing. He looks stressed.

Monroe: Monroe...now what?


Scene: Back at the Hospital, Nick and Monroe are talking.

Monroe: A grimm? Are you out of your mind? I can't do this.
Nick: Look, I just need your help until I can figure something else out.
Monroe: I'm not a cop. [He walks away]
Nick: [follows him] Yeah, you--you're the only one who knows what I'm dealing with.
Monroe: No. I am the only one who is stupid enough to talk to you.
Nick: I'll owe you one.
Monroe: Dude, you already owe me three.
Nick: Three?
Monroe: Yeah, the little girl who was kidnapped, the Jagerbar at 6:30 this morning in the middle of my pilates, and now this [ he points at aunt Marie]
Nick: Okay. I'll owe you three.
Monroe: What the hell makes you think I'm gonna stay here and protect her?
Nick: Because I trust you.
Monroe: [more to himself] oh man.
Nick: Look, I'll be back as soon as I can. [He leaves]
Monroe: [looking at aunt Marie] maybe you shouldn't trust me.
[Nick is walking down the steps of the Hospital when his phone goes off and he answers]
Nick: Hey, what's up?
Hank: Rocky's dad just called. Gilda made bail [cuts Hank leaving the station] she went over to his house and got a gun Rocky had in his room. He couldn't stop her, said she was gonna get Rocky back or kill the people that took him.


Scene: Gilda drives Rocky's pickup back to the Rabe's home with a gun on her lap.

[Mrs. Rabe is tending to her flowers when Gilda arrives. Gilda gets out of the car and walks toward Mrs. Rabe and then point the gun at her]
Gilda: Where is he?
Mrs. Rabe: [stumbles backward] Oh my God.
Gilda: Where is he?
Mrs. Rabe: Are you the girl that broke into my house?
Gilda: You tell me where he is, or I'll shoot.
Mrs. Rabe: Please don't hurt me. I-I-I don't know what you're talking about.
Gilda: You know where he--[out of nowhere Barry tackles her to ground while he is morphed] aah! [he backhands her]
Barry: Are you okay, mom?
Mrs. Rabe: [with pride] I am now. And well done, son. [she hugs him] hunting two is better than one. You make your ancestors proud. [Gilda starts to wake up. Mrs. Rabe walks toward her and kicks her unconscious] Get rid of her truck.
Scene: Mr. Rabe arrives home.
Mr. Rabe: Hi. Barry home?
Mrs. Rabe: No, he's out with friends. [they share a quick kiss]
Mr. Rabe: Doing what?
Mrs. Rabe: [tends to her flowers] I don't know. Riding their bikes?
Mr. Rabe: God, I hope he doesn't break his neck.
[Mr. Rabe starts to head toward the house when Hank and Nick arrive]
Mr. Rabe: What do you want?
Nick: The woman who broke into your house is on her way here and she's not happy.
Hank: She's got a gun.
Mr. Rabe: What? Is everything okay?
Mrs. Rabe: Everything's fine.
Nick: I don't really think so.
Hank: It doesn't look like she's here yet. I'm going back down the road. [He walks toward his car] I'll block it off in case she shows.
Nick: [he turns to Mr. and Mrs. Rabe] We need to talk. Right now. I know what you are. You know who I am, so let's cut the crap. Mr. Rabe: You wanna cut the crap? Okay. You're a grimm. You are a danger to my family, and don't think wearing a badge is going to protect you.
Nick: This isn't about me. [he pauses and looks at Mrs. Rabe] I know about the hunt.
Mr. Rabe: What are you talking about?
Nick: The Roh-Hatz.
Mr. Rabe: Nobody does that anymore. [He looks at his wife]
Nick: Yes, they do. And when the sun goes down tonight it's gonna be too late. Look Barry and those two boys have got Rocky, and we don't have a lot of time. [Mr. Rabe hesitates] Come on, you're a lawyer. If they kill this innocent kid over this stupid hunt, their lives are over.
Mr. Rabe: Where are they?
Mrs. Rabe: I told you.
Mr. Rabe: [faces his wife] Where are they?
[Everyone is quite as Mrs. Rabe looks at them annoyed]
Mrs. Rabe: Why don't you ask to see his warrant? [she goes back to the house]
Mr. Rabe: [sets down his briefcase] Oh, my God. I didn't realize.
Nick: So what do you want to do? You want to go inside? Have a few drinks, forget about it? Or do you want to come with me? Mr. Rabe: [takes his suit jacket off] Okay, but we're gonna have to take my four-wheeler.
Nick: You know where they are?
Mr. Rabe: I think I know where they might be.
[They leave in a hurry as Mrs. Rabe looks at them from afar with a serious look on her face and goes inside the house]


Scene: Hank blocks the road with his car. He gets out of the car and starts to make a call.

Hank: Requesting back-up at 1534 Wilder Road [he looks around when he sees Rocky's pickup. He hangs up and walks toward it]


Scene: Mr. Rabe and Nick get into the four-wheeler.

Mr. Rabe: If we find them, promise me you're not gonna hurt them.
Nick: I won't if I don't have to.
Mr. Rabe: Okay.


Scene: Hank uncovers Rocky's pickup when his phone start ringing.

Nick: It's Nick. You got anything?
Hank: I found the truck. She's here somewhere.
Nick: I'm with Frank Rabe. I'm going after the boys. I'll call you if I get anything.


Scene: Rocky and Gilda are in a cave blindfolded and with their hands tied behind them. The boys start to take them away.

[The boys take off the blindfolds and prep Rocky as Barry rips the shirt off and takes a knife from his pocket]
Gilda: [sobbing] We're sorry we broke into your house, we'll never do it again.
[Barry cuts his arm with his knife and takes some of it and spreads it on Rocky's face]
Rocky: Uhh, just let her go!
T.B. Colbert: Yeah, we'll let her go.
Jason: We're gonna let you go too. Don't worry. We'll give you a head start.
[Barry hands Jason the knife]
Gilda: [sobs] No, please, no.
Barry: [grabs Gilda from behind] Oh, wow, man. They're really scared.
Gilda: [looking at Barry] Please!


Scene: Monroe is pacing outside aunt Marie's room.

Monroe: It's ridiculous. [Walks toward aunt Marie and looks down at her] You people murdered my grandfather. The grimms burned down his farm, cut off his head, his hands, and his feet. Okay, he may have deserved it for some of the things he did, [he lowers himself closer to aunt Marie] but if my parents could see me now standing this close to you and not avenging the family. Last Thanksgiving I'd be invited to, I can tell you that.
[Aunt Marie opens her eyes]
Aunt Marie: Take your best shot, Blutbad.
[Monroe's eyes turn red. He sense someone behind him just as a man intended to walk into the room but he walks away when he sees Monroe. He looks at aunt Marie and goes to follow the man]


Scene: Nick and Mr. Rabe stop.

Mr. Rabe: We're gonna have to take the trail from here.
Nick: How do you know they'll be there?
Mr. Rabe: I don't. [He jogs ahead as Nick follows].


Scene: The man opens a door that leads to the Hospital's basement, and Monroe is hot on his tail. He walks around trying to find the man when someone punches him on the face. Another man joins in as the one one holds Monroe by the arms while he recieves a punch on the gut. He gets kicked down to the floor and they stop. Then Monroe changes into his Blutbad. He attacks more agressively. He throws one man down on the floor and when he turns to the other one, the man takes a gun out but Monroe grabs his arm and pushes him against a wall and then rips the man's arm off.

Monroe: [morphes back to normal] Okay, that went a little too far. [He drops the arm and runs away]


Scene: Nick and Mr. Rabe walk around the woods until they arrive by the cave.

Mr. Rabe: There's a cave up ahead.
[Nick takes his gun out]
Mr. Rabe: Let me go first, try and talk them out of it.
Nick: [he stops him] no. I'm either coming with you, or I'm going alone.
[They head in but soon realize that they're gone.]
Mr. Rabe: [grabs a piece of clothes that were on the ground] we're too late. [He sniffs it and then morphes into a Jagerbar. Nick reacts by poiting the gun at him] It's started.
[Mr. Rabe now runs faster as he goes looking for the boys and Nick follows suit.]


Scene: At another part of the woods, Rocky and Gilda are running for their lives while the boys follow not far behind.

Gilda: Come on, get up!
[Rocky and Gilda start running faster when they stop when they see someone a couple feet away from them. Nick then appears from the bushes] Nick: Get out!
[Nick start to fight one of the Jagerbars and before he gets attacked, he shoot up into the air and then points it at Barry]
Nick: This isn't gonna get any better unless you stop. [Barry turns back to normal when he hears his father]
Mr. Rabe: No! Barry! Son! [he runs to his son before he looks at Nick and holds his arm out in a signal to stop] This is over.
Rocky: [who is on the ground with Gilda] Stay down.
Mr. Rabe: It stops now.
Barry: [looking ahead, pushes his father to the side] no! [behind Nick, a full turned Jagerbar--Mrs. Rabe--is going to attack him] Mom! Don't!
[Nick turns around and points his gun when the Jagerbar is going to pounce, but she falls down the hole that Barry and his friends had tested out with the human sack]
[Barry and Mr. Rabe get closer to see her turn back to normal and that one of the stakes has gone right through her left shoulder]


Scene: By the road near the woods, paramedics and the police have arrived and are taking Mrs. Rabe to the Hospital.

Barry: [who is being pushes by Hank in handcuffs worries about his mom] Mom. Mom...please. I am so sorry.
Mrs. Rabe: [in agony] You did nothing wrong.
Mr. Rabe: [with dissapointment] Yeah, he did, Diane. And now we're all gonna have to pay for it.
Mrs. Rabe: You have to respect your ancestors.
Mr. Rabe: Not like this.
[Barry gets taken away and put in a police car along his two friends. Hank walks around to see Wu walking toward him]
Wu: Okay, let's see, we got kidnapping and attempted murder for Barry, Jason, and T.B.
Hank: Breaking and entering for Rocky and Gilda.
Wu: Well, at least they weren't doing drugs.
[As Nick start to walk away to his car, Mr. Rabe calls for him]
Mr. Rabe: Detective [Nick stops and Mr. Rabe faces him] She wanted them to know their heritage. She never understood the danger of it. It isn't easy to give up your history. You haven't had to give up yours.
Nick: Yeah. It's been a lot of fun. [He walks away when his phone starts to ring] Hello?
Monroe: [Walking away from the basement] You told me to protect her. And I did, but...[he turns away when some nurses are rushing the man without the arm to Emergency]
Doctor: Get me four units of O-Positive...
Monroe: I think I may have gone a little overboard.
[On PA: Trauma surgeon to O.R. One, Stat]
[Another Doctor is pulling a cooler with what could be the servered arm]
Monroe: Look, I can't stick around. Things are getting a little dicey. And you should get down here. I'm not sure I got all of 'em.


Scene: Nick drives through the bridge heading toward the Hospital.

Scene: A man, dressed as a Father, takes out a small medical knife as he walks toward aunt Marie's room. He manages to walk in, and close the blinds. He bends down to look at her when she suddenly opens her eyes. The man goes to kill her but she stops him and starts fighting him as all the machines start to go off. She pushes him out of the room.

Person: Get security out here!
[Aunt Marie and the man start fighting. He goes to stab her but she gets the upper hand and turns it against him and stabs him as she pushes him agaisnt a counter. He falls to the ground just as she loses her balance but Nick grabs her before she falls]
Aunt Marie: [hugging him] Rememeber who you are. Trust your instincts and nothing else. [She looks at him one last time before she takes her final breath]
Nick: No. [He holds her dead body with fear written on his face] Marie. [Breathing hard] Come on.
[In slow motion, a Doctor goes to him and grabs aunt Marie to see if she has a pulse, just as more nurses come rushing toward them]


Scene: Nick, in aunt Marie's car, pull the trailer away from his house as Juliette looks from a window.

Scene: Nick and Juliette are at aunt Marie's grave.

Nick: Goodbye. [he sets down some flowers] Rest well. [he tries not to cry]
Juliette: Are you alright?
Nick: [sniffles] No. [he stands] But I will be.
[As they walk away, something is looking at them from the bushes, and it looks like it's a creature.]
[Aunt Marie's gravestone says: Marie Kessler, 1958-2011]


The End

Transcripts
Season 1 "Pilot" "Bears Will Be Bears" "Beeware" "Lonelyhearts" "Danse Macabre" "The Three Bad Wolves" "Let Your Hair Down" "Game Ogre" "Of Mouse and Man" "Organ Grinder" "Tarantella" "Last Grimm Standing" "Three Coins in a Fuchsbau" "Plumed Serpent" "Island of Dreams" "The Thing with Feathers" "Love Sick" "Cat and Mouse" "Leave It to Beavers" "Happily Ever Aftermath" "Big Feet" "Woman in Black"
Season 2 "Bad Teeth" "The Kiss" "Bad Moon Rising" "Quill" "The Good Shepherd" "Over My Dead Body" "The Bottle Imp" "The Other Side" "La Llorona" "The Hour of Death" "To Protect and Serve Man" "Season of the Hexenbiest" "Face Off" "Natural Born Wesen" "Mr. Sandman" "Nameless" "One Angry Fuchsbau" "Volcanalis" "Endangered" "Kiss of the Muse" "The Waking Dead" "Goodnight, Sweet Grimm"
Season 3 "The Ungrateful Dead" "PTZD" "A Dish Best Served Cold" "One Night Stand" "El Cucuy" "Stories We Tell Our Young" "Cold Blooded" "Twelve Days of Krampus" "Red Menace" "Eyes of the Beholder" "The Good Soldier" "The Wild Hunt" "Revelation" "Mommy Dearest" "Once We Were Gods" "The Show Must Go On" "Synchronicity" "The Law of Sacrifice" "Nobody Knows the Trubel I've Seen" "My Fair Wesen" "The Inheritance" "Blond Ambition"
Season 4 "Thanks for the Memories" "Octopus Head" "The Last Fight" "Dyin' on a Prayer" "Cry Luison" "Highway of Tears" "The Grimm Who Stole Christmas" "Chupacabra" "Wesenrein" "Tribunal" "Death Do Us Part" "Maréchaussée" "Trial by Fire" "Bad Luck" "Double Date" "Heartbreaker" "Hibernaculum" "Mishipeshu" "Iron Hans" "You Don't Know Jack" "Headache" "Cry Havoc"
Season 5 "The Grimm Identity" "Clear and Wesen Danger" "Lost Boys" "Maiden Quest" "The Rat King" "Wesen Nacht" "Eve of Destruction" "A Reptile Dysfunction" "Star-Crossed" "Map of the Seven Knights" "Key Move" "Into the Schwarzwald" "Silence of the Slams" "Lycanthropia" "Skin Deep" "The Believer" "Inugami" "Good to the Bone" "The Taming of the Wu" "Bad Night" "Set Up" "The Beginning of the End"
Season 6 "Fugitive" "Trust Me Knot" "Oh Captain, My Captain" "El Cuegle" "The Seven Year Itch" "Breakfast in Bed" "Blind Love" "The Son Also Rises" "Tree People" "Blood Magic" "Where the Wild Things Were" "Zerstörer Shrugged" "The End"
Webisodes "Bad Hair Day" "Meltdown" "Love is in the Air: Elegant Endeavors"
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